Online screenings as things exist for plenty of years, as well as had increased when YouTube, as well as Facebook released their live-streaming solutions. However, only since COVID-19 cinema screen rental ended up being a genuine phenomenon, as well as a subculture with its own regulations.
I’m not mentioning Youtubers, vocalists, or politicians running a real-time program, efficiency, or a speech. I mean real movie screenings, arranged to a specific time, with guests, pre-registration, as well as Q&A sessions at the end of the screening. This is the reason this blog post is about.
Nowadays I’m supplying an industrial remedy for online screenings, yet this blog post is suggested for filmmakers, with a few pieces of advice on how to do all this completely free, based on my experience.
The Experience
I’ve been handling video streaming, as well as VOD in all of its forms since 2011. Begun with pay-per-sight, then included subscription-based models, and between, experimented with the e-wallet, a terrific concept, but it appears we were ahead of our time: RRB, the target market didn’t understand it at all. I have been dealing with people, or B2C, as well as with organizations, or B2B, and got to adapt UX, as well as commercial models for both target markets. It’s tough and I’m finding out new points every day.
When COVID-19 started, I had been approached by customers and associates enquiring about possible solutions to online screenings. While the preliminary inquiries were about the technological elements of the live streaming of a recorded video, all of us quickly realized that the larger challenge, without any doubt, remains in organizing your audience to be there at a set time, similar to in a physical event.
We started with products such as a digital cinema for community screenings in the framework of the Academy of Movies as well as TV. From that, a new initiative was developed, Flicks Everywhere, aimed at movie celebrations as well as public companies.
That, as I created above, is the commercial solution. But I’m covering the free service, which is offered to any filmmaker.
Tools You’ll Need
You possibly understand them all, I’m just placing things together because the most significant obstacle remains in producing a feeling of an “occasion” which is a UX challenge, not a technical one.
So essentially you will require no greater than a:
- Vimeo accounts can be Twitch or YouTube; however, the majority of filmmakers, as well as artists favour Vimeo, so let’s adhere to it.
- Gmail or any other email service you feel comfy with.
- Google form.
- Jitsi, Stop using Zoom. No account is required for Jitsi. No bothersome time frames.
